On the morning of 4 November 2019, an unassuming caravan of women and children was ambushed by masked gunmen on a desolate stretch of road in northern Mexico controlled by the Sinaloa drug cartel. Firing semi-automatic weapons, the attackers killed nine people and gravely injured five more. The victims were members of the LeBaron and La Mora communities—fundamentalist Mormons whose forebears broke from the LDS Church and settled in Mexico when their religion outlawed polygamy in the late nineteenth century. The massacre produced international headlines for weeks and prompted President Donald Trump to threaten to send in the US Army. In The Colony, bestselling investigative journalist Sally Denton picks up where the initial, incomplete reporting on the attacks ended, and delves into the complex story of the LeBaron clan. Their homestead—Colonia LeBaron—is a portal into the past, a place that offers a glimpse of life within a polygamous community on an arid and dangerous frontier in the mid-1800s, though with smartphones and machine guns. Rooting her narrative in written sources as well as interviews with anonymous women from LeBaron itself, Denton unfolds an epic, disturbing tale that spans the first polygamist emigrations to Mexico through the LeBarons’ internal blood feud in the 1970s—started by Ervil LeBaron, known as the “Mormon Manson”—and up to the family’s recent alliance with the NXIVM sex cult, whose now-imprisoned leader, Keith Raniere, may have based his practices on the society he witnessed in Colonia LeBaron. The LeBarons’ tense but peaceful interactions with Sinaloa deteriorated in the years leading up to the ambush. LeBaron patriarchs believed they were deliberately targeted by the cartel. Others suspected that local farmers had carried out the attacks in response to the LeBarons’ seizure of water rights for their massive pecan orchards. As Denton approaches answers to who committed the murders, and why, The Colony transforms into something more than a crime story. A descendant of polygamist Mormons herself, Denton explores what drove so many women over generations to join or remain in a community based on male supremacy and female servitude. Then and now, these women of Zion found themselves in an isolated desert, navigating the often-mysterious complications of plural marriage—and supported, Denton shows, only by one another. A mesmerising feat of investigative journalism, The Colony doubles as an unforgettable account of sisterhood that can flourish in polygamist communities, against the odds.

A harmless, unassuming caravan of women and children was ambushed by masked gunmen in northern Mexico on 4 November 2019. In a massacre that produced international headlines, nine people were killed and five others gravely injured. The victims were members of the La Mora and LeBaron communities-fundamentalist Mormons whose forebears broke from the Church of Jesus Christ of Latter-day Saints and settled in Mexico when polygamy was outlawed. In The Colony, the best-selling investigative journalist Sally Denton picks up where initial reporting on the killings left off, and in the process tells the violent history of the LeBaron clan and their homestead, from the first polygamist emigration to Mexico in the 1880s to the LeBarons' internal blood feud in the 1970s to the family's recent alliance with the NXIVM sex cult. Drawing on sources within Colonia LeBaron itself, Denton creates a mesmerising work of investigative journalism in the tradition of Under the Banner of Heaven and Going Clear.

The tale of the Bechtel family dynasty is a classic American business story. It begins with Warren A. Bechtel, who led a consortium that constructed the Hoover Dam. From that auspicious start, the family and its eponymous company would go on to "build the world," from the construction of airports in Hong Kong and Doha, to pipelines and tunnels in Alaska and Europe, to mining and energy operations around the globe. Today Bechtel is one of the largest privately held corporations in the world, enriched and empowered by a long history of government contracts and the privatization of public works, made possible by an unprecedented revolving door between its San Francisco headquarters and Washington. Bechtel executives John McCone, Caspar Weinberger, and George P. Shultz segued from leadership at the company to positions as Director of the CIA, Secretary of Defense, and Secretary of State, respectively. Like all stories of empire building, the rise of Bechtel presents a complex and riveting narrative. In The Profiteers, Sally Denton, exposes Bechtel's secret world and one of the biggest business and political stories of our time.

Come and see the circus! A combination of artwork and photographs show children some of the things they might see in a circus, such as clowns, dancers, the juggler and acrobats. A combination of illustrations and photographs show them at work. Pink B/ Band 1B books offer emergent readers simple, predictable text with familiar objects and actions. Text type - A simple information book. A poster on pages 14 and 15 advertises when and where the circus can be seen, and is ideal for children to discuss and recap the text. This book has been levelled for Reading Recovery

Imagine setting out on a road trip in a 1929 Ford Model A Roadster, with the stated goal of traveling from Manhattan to Mexico and Central America, after only a week's worth of preparation. This is exactly what brothers Arthur Lyon (age 25) and Joe Lyon, Jr, (age 21) did on March 23, 1930. They prepared for the trip by purchasing camping gear, studying maps, gathering information about the areas they planned to traverse, mounted in the car's rear seat a 55-gallon oil drum equipped with a gas feed for extra fuel, and divided up the princely sum of $324 in cash to fund their sojourn. The story is replete with their accounts of the challenges the young men faced on their epic journey, including encounters with government officials and other interesting characters. In Mexico, where they faced nearly impassible roads, they finally had the car fitted with extra railroad wheels so they could literally ride the rails. The brothers' trip ended on May 17, 1930, after the car suffered mechanical problems and the brothers and car nearly met their fate in the form of an oncoming freight train. Arthur and Joe returned to the U.S. separately, in part by tramp steamer. The amazing 1930 journey of the young Lyon brothers can be seen as the centerpiece of a larger story, of a pair of lives lived out not just as brothers but as partners in an emerging Automobile Age. To help understand the forces that shaped those lives, the brothers' nephew, Larry Lyon, provides an introduction that chronicles the family's rich history from a family-owned grist mill in southern Missouri to the small mining towns of Pearl, Idaho and National, Nevada, through their father's innovative auto-repair business in McDermott, Nevada, the brothers' founding of Nevada's first bus company, their investment in oil and gas exploration, and many other business ventures.

Laurie Brown has long been fascinated with what happens at the edge of cities. In her pioneering, photographic work on Los Angeles, her focus was on the terraforming activities in that quintessential modern metropolis, where nature is literally scraped away and terraced to accommodate the most recent version of the American Dream: more roads and highways, more residential and commercial developments, more golf courses and city services, more pressure on the natural systems that undergird the city and region. It was only natural that Brown would turn her artistic attention to the eastern end of the Los Angeles corridor--Las Vegas--and she does so in full, living color. Few other places engender such a common image of excess and extravagance as does Las Vegas. But Brown reminds us that what makes Las Vegas such an alluring place to live and to visit is its location in the austere but beautiful landscapes of North America's driest and sunniest region: the magnificent Mojave Desert. As Las Vegas has expanded, the contrast between the native desert and recent human terrain is a palpable fact that Brown captures brilliantly in her panoramic format. In each photograph we see the impact of our newest designs and constructions on the land, raising questions about the availability of scarce natural resources and, ultimately, the wisdom of our vision for the place. By finding the interface between nature and culture that exists in these so-called paradisal environments, Laurie Brown takes us on a modern journey on a well-worn path in Western civilization: the pushing out of the city that emerged in ancient Greece and Rome and extended beyond the city walls of medieval Europe to today's political boundaries nestled beside nature's undeveloped frontier. But at what cost? Like the ruins of Pompeii, Brown's hauntingly beautiful photographs reveal how well (or not) we have created a modern American Eden: Las Vegas. (See the publishers website for a slide show and further information about the book: http://gftbooks.com/books_BrownLaurie.html ).

John Charles Fremont was the illegitimate child of a Virginia aristocrat and a working-class French immigrant; Jessie Benton was the daughter of the most powerful pre-Civil War U.S. senator, Thomas Hart Benton of Missouri, and, her gender notwithstanding, had been groomed as much as any young man to be president. Senator Benton unwittingly brought the two together, never imagining that his daughter would fall in love with Fremont. Despite their disparate backgrounds, however, John and Jessie's marriage was one of the most storied events of the nineteenth century.
And indeed, Jessie and John made a formidable couple. Both together and apart they contributed significantly to shaping the United States. He was a key figure in western expansion and the first presidential candidate for the Republican Party. She was a savvy political operator who played confidante and adviser to the highest political powers in the country. Despite their great efforts on behalf of their country, however, their reputations did not survive a Washington smear campaign led by none other than Jessie's father.
Written with an investigative journalist's eye for detail and a novelist's flair, this biography of explorer, politician, and gold-mine owner John C. Fremont and his intellectual wife, Jessie Benton Fremont, also casts light on the tumultuous period that forms the backdrop for their lives, from the abolition of slavery to the building of the railroad.

The richly told story of a nineteenth-century woman-the author's great-great-grandmother-whose religious faith was betrayed and regained on a journey across the American West.
In the 1850s, Jean Rio was a recently widowed English mother of seven. Rich, well educated, musically gifted, deeply spiritual, and increasingly dismayed by the social injustices she saw around her, she was moved by the promises of Mormon missionaries and set out from England for Utah. On her fifty-six-day Atlantic crossing, she began keeping a diary, and this extraordinary chronicle is the basis of Sally Denton's book.
We follow Jean Rio from New Orleans, where she disembarks, up the Mississippi by riverboat, and, finally, westward by wagon train. We see her family transformed by necessity-mastering frontier skills, surviving storms, finding their own food, overcoming illness and injury-during the five months it takes them to reach Zion.
We see her initial enthusiasm turn to disillusionment: She is forced to surrender her money to the church. She realizes she has been lied to about polygamy-Mormons do practice it-which she detests. Acts of Mormon violence against nonbelievers repel her. Her musical skills are buried beneath the daily rigors of farming. Two of her sons flee to California. We witness her seventeen-year struggle to make peace with her situation before she, too, escapes to California-to freedom, a career as a midwife, and a new religion that fulfills her.
Dramatic and powerful, "Faith and Betrayal is the moving account of one woman's gamble in an emerging America, and a valuable addition to the history of both the Mormon experience and the long saga of immigrant pioneer women.